Photographs by Iris Velghe, creative direction by Tim Holloway, styling by Joshua Hendren, words by Kim Parker
From New York’s Fifth Avenue to Paris’ storied Place Vendôme, 2024’s high jewellery presentations were a dazzling display of unrivalled artistry, showcasing wearable canvases of glowing metals and technicolour gemstones.



Tiffany & Co. revealed a collection devoted to oceanic hues – one of the preferred palettes of its legendary designer, Jean Schlumberger – while the Italian house of Gucci revelled in the kaleidoscopic spectrums of the four seasons and reproduced them with rainbows of sapphires and tourmalines. The jewels at David Morris were an ode to the ethereal colours of the Northern Lights, but at Louis Vuitton, inspiration was drawn from the fleshy tones of the earliest life forms, from fungi to reptiles.



Meanwhile, Chaumet looked heavenwards, with sunshine-saturated jewels of platinum, white and rose gold, Dior sought creative impetus from the floral-tinted embroideries of its founder’s couture atelier and Cartier celebrated the chromatic contrasts of its Art Deco heyday, reintroducing the blacks (onyx), greens (peridots, emeralds) and reds (coral) so beloved by its then-creative director, Jeanne Toussaint, for a contemporary audience.



As the purveyor of some of the world’s rarest gemstones, Graff highlighted the supreme beauty of its emeralds, rubies and sapphires with graphic arrangements of diamonds. After all, says design director Anne-Eva Geffroy, “these magnificent jewels provide us with a creative freedom that is incomparable.”


Photo assistant Nicolas Pivetal, retouching by Matthieu Touzé, production by Malcolm Mafara
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